A collection of Sara Streeter Works

Sara Streeter Session 1/16/2016

25 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 1/23/2016

2 Hrs. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 9/6/2016

25 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 1/14/2017

2 Hrs. from Life

18" X 24"

Charcoal on Paper

Sara Streeter Session 1/24/2017

5 Min. from Life

18" X 24"

Charcoal on Paper

Sara Streeter Session 2/08/2017

2 Hrs. from Life

13" X 15"

Oil on Canvas

Sara Streeter Session 11/03/2016

20 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter is a quite a legendary figure model in the L.A. area. She is the standard candle of art models, in my humble opinion. Collected here are various works completed over the last year or so. 

Sara Streeter Alla Prima

Sara Streeter Alla Prima

9" X 12"

Oil on Paper

2 Hr. from Life

2014

Alla Prima Portrait

Alla Prima Portrait

9" X 12"

Oil on Paper

2 Hr. from Life

2015

Untitled #311

Untitled #311

12" X 16"

Oil on Paper

2014

Another 2 hour study painted from life. I've really grown fond of working in a monochromatic form with these 2 hour poses. It saves a bit of time not having to spend a lot of the pose mixing as is the case when working with color. Also, you can cover so much ground with paint in such a short amount of time, and the length of the pose allows for some accuracy. So this approach is a nice mixture of both drawing and painting. 

Gwyneth Seated in Monochrome

Gwyneth Seated in Monochrome

9" X 12"

Oil on Paper

2015

I painted this the other morning from life out in 29 Palms in a little under two hours. It was another trek for me across the mass of Southern California to a place I've never been. The workshop was held at a place called 29 Palms Creative Center & Gallery and the host, other artists, and model were more than pleasant company to keep. The drive there was amazing too. So many wildflowers in the desert. The most I've seen in quite a few years. 

Monochrome Female Head Study

Monochrome Female Head Study 01

9" X 12"

Oil on Paper

2014

I've just opened up a Gallery on DailyPaintWorks.com* and this is the first painting I've posted there. It's a 2 hour study completed last year as part of a daily painting exercise and I'll be posting more work over the coming year or so.

I'm not currently represented in the "Gallery World" as I've been working full-time commercially for over the last 15 years very much under the radar. I made my first portfolio website back in the late 90s and took it down in late 2003. So I've been missing in action in a public way for quite some time. I haven't even really been on social media at all either. I started a Facebook page some years ago but that was mainly just to do research for a commercial project. I've really had my nose to the grindstone for a long time without taking much time to look around or self promote my work. So I imagine some visitors have come here and said to themselves, 'Who is this guy?'. For those that have I've added a bit more biographical info* at my DailyPaintWorks gallery.

*My online Gallery is currently closed to further purchases as of April 2015. Although I may reopen it at some point in the future.

Untitled #149

Untitled #149

24" X 36"

Charcoal on Paper

2013

This 60 min. back pose of Sara Streeter is a classic example of contrapposto. She was a professional dancer for quite some time and her ability to hold a pose like this is rather legendary. Most models do not stand for poses over an hour. This one was about two hours- with 25 min intervals (I drew this during two of those sessions). Although, I've seen her stand for four hour poses. 

Many new life models who are unaware of the challenges of posing at length will oftentimes attempt poses that are beyond their ability. This isn't the case with a seasoned model. Notice that straight line going from her left foot all the way up to the back of her head. This line acts as kind of a pillar that takes most of the weight of the pose. 

The contrapposto stance has been used in figurative sculpture for centuries for it's stability. The same sound principles of stable weight distribution goes for a multi-hour length pose as well. This model knows what she's doing.