A collection of Sara Streeter Works

Sara Streeter Session 1/16/2016

25 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 1/23/2016

2 Hrs. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 9/6/2016

25 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter Session 1/14/2017

2 Hrs. from Life

18" X 24"

Charcoal on Paper

Sara Streeter Session 1/24/2017

5 Min. from Life

18" X 24"

Charcoal on Paper

Sara Streeter Session 2/08/2017

2 Hrs. from Life

13" X 15"

Oil on Canvas

Sara Streeter Session 11/03/2016

20 Min. from Life

24" X 36"

Charcoal on Paper

Sara Streeter is a quite a legendary figure model in the L.A. area. She is the standard candle of art models, in my humble opinion. Collected here are various works completed over the last year or so. 

Sara Streeter Alla Prima

Sara Streeter Alla Prima

9" X 12"

Oil on Paper

2 Hr. from Life

2014

Rosa's Portrait

Rosa's Portrait

22" X 30"

Oil on Canvas

2014

Mather Seated

Mather Seated

12" X 16"

Oil on Canvas

3.5 Hr. from Life

2014

Catherine Seated (Alla Prima)

Catherine Seated (Alla Prima)

12" X 16"

Oil on Canvas

4 Hrs. from Life

2015

Reyna Seated Alla Prima

Reyna Seated Alla Prima

16" X 20"

Oil on Canvas

6 Hrs. from Life

2014

Untitled #311

Untitled #311

12" X 16"

Oil on Paper

2014

Another 2 hour study painted from life. I've really grown fond of working in a monochromatic form with these 2 hour poses. It saves a bit of time not having to spend a lot of the pose mixing as is the case when working with color. Also, you can cover so much ground with paint in such a short amount of time, and the length of the pose allows for some accuracy. So this approach is a nice mixture of both drawing and painting. 

Danielle Seated

Danielle Seated

12" X 16"

Oil on Canvas

2014

This 3 Hr. life study was painted on an untoned canvas. Typically I enjoy working on a toned canvas while doing studies like this from life as they afford some forgiveness in terms of coverage. 

When working on such a stark surface you have to work a bit more diligently to make sure that the paint connects so that bright canvas gaps don't show up in-between strokes that have been laid down. To accommodate for this I usually load the brush full of paint while attempting to describe forms with as few strokes as possible. 

This approach to painting is called 'economy of means' by many, and more than a few of my favorite artists worked in this manner. There is kind of elegant simplicity to it when thing work out well.

Camille Seated

Camille Seated

12" X 16"

Oil on Canvas

2014

This is a four hour Alla Prima painting from life completed last year at Angels Gate. I used quite a few very large brushes throughout the painting. Especially in the background. Using these can be a bit tricky sometime as it is a very simple thing to ruin prior carefully laid in strokes.