Thursday, December 27, 2018

The possible yesterday—a final meeting. Harriet Tubman and John Brown September 1st, 1859 (Digital)



Some background: I began this painting after reading an essay on ecological amnesia (i.e. how our culture has forgotten the abundance of wildlife that once filled North America). I had no idea just how vast the extinct passenger pigeon populations were in the 1800s. To see more than a billion birds in the sky at once sounds so incredibly breathtaking & to know that I, nor anyone else will ever experience that was more than a bit heartbreaking. It jarred me into reflecting on extinction—the profound eternity of it. It's tragic immensity.

This got me mourning for the sky—it’s history—and musing about the Carrington Event of 1859. A massive solar storm in early September of that year. The storm was so intense the Aurora could be seen as far south as the tropics. To see such intense fleeting beauty at once existing with a billion birds in the sky must have been deeply astounding.

Which led me to wonder about what could have been. Alternate futures. Differing outcomes of consequence. There is a kind of misleading finality to the present moment I think. As if it was always going to be the way it is. But in learning of the past, you realize just how very different this world could have been if things had gone another way. For better, for worse, and the individuals and events that had a far-reaching influence in the aftermath we inhabit.

Along this vein I read about John Brown & Harriet Tubman. That they worked together for some time in southern Ontario—a major nesting site of the passenger pigeon flocks. There, sometime in 1859, she aided him in planning the raid on Harper’s Ferry; recruiting freed slaves for the effort — which is thought by some to be the symbolic start of the Civil War.

All of this was present together in the late summer of 1859. Although it is unlikely in this precise manner. But in this, there is a boundless aspect to all junctures in time; the possibilities and infinite outcomes available to us. Always.




Monday, August 7, 2017

Pushing it further—Mark Session Back Pose 08/05/2017


For the curious—I went to the trouble to make a animated gif (it may take a bit to load) which illustrates the progress of this life drawing that has been furthered beyond the time with the model. The original is what was achieved with the model posing for 25 min. The image with the additions was completed in about 40 extra minuets. So about an hour in all.
Although I still use Newsprint for 2-15 minutes poses, I've moved on to using a higher quality paper for most of my short pose work in the range of 20-25 minutes. Because of this, I've felt compelled to take these a bit further with additional work. As many may know, Newsprint doesn't take reworking very well at all. So it's a pursuit I've never really gotten into with short pose drawings. But it's a lot of fun to push the notation inherent to short pose work into something more fleshed out so to speak. It really allows you to think a bit more about what you want to emphasize and what you want to play down while still attempting to keep it all tethered to reality somehow. Oftentimes I wind up liking the original better, but as always—there is progress in the destruction.


Mark Session Back Pose 08/05/2017 - 25 Min. Pose (image 1) - 25 Min. Pose with additional work (image 2) - 18" X 24" - Carbon Pencils, Vine Charcoal, and White Pastel Pencil on Charcoal Paper

Sunday, March 12, 2017

A collection of Sara Streeter Works


Sara Streeter Session 1/16/2016
25 Min. from Life
24" X 36"
Charcoal on Paper


Sara Streeter Session 1/23/2016
2 Hrs. from Life
24" X 36"
Charcoal on Paper


Sara Streeter Session 9/6/2016
25 Min. from Life
24" X 36"
Charcoal on Paper


Sara Streeter Session 1/14/2017
2 Hrs. from Life
18" X 24"
Charcoal on Paper


Sara Streeter Session 1/24/2017
5 Min. from Life
18" X 24"
Charcoal on Paper


Sara Streeter Session 2/08/2017
2 Hrs. from Life
13" X 15"
Oil on Canvas


Sara Streeter Session 11/03/2016
20 Min. from Life
24" X 36"
Charcoal on Paper


Sara Streeter is a quite a legendary figure model in the L.A. area. She is the standard candle of art models, in my humble opinion. Collected here are various works completed over the last year or so. 

Tuesday, May 10, 2016

L.A. Area Life Drawing Map

I've put together a map for sharing all of the drop-in uninstructed Life Drawing workshops that I am aware of in the counties of Los Angeles, Orange, and Riverside. I've been to most of them at least once and all are in operation as of the writing of this post. I try and keep this map as updated as possible with the latest info which includes: pricing, days of the week, and contact information. If anyone out there is aware of one that's not on the map let me know and I'll include it. The map can be found here: