Showing posts with label 2 hour painting. Show all posts
Showing posts with label 2 hour painting. Show all posts

Tuesday, March 10, 2015

Skull in Umber Monochrome (Sold)


Skull in Umber Monochrome (Sold)
9" X 12"
Oil on Paper
2014

I painted this 2 hour study from life using Raw Umber and Titanium White. Monochrome works like this are a great way to study value relationships, and the skeleton in particular presents an elaborate exercise along these lines due to the myriad of small changes in form.

Friday, March 6, 2015

Monochrome Female Head Study 02


Monochrome Female Head Study 02
12" X 16"
Oil on Paper
2014

This painting is another 2 hour study done on Canson Oil Paper. I've really come to enjoy working with it over the last year. Although at first it took some getting used to as it is a "thirsty" surface to work with. What is especially attractive is that there is a soft focus quality to the finished work that is quite unique. Although hard edges are easily defined as well.

The paint bleeds a bit into the tooth with fluid applications. So it can behave a bit like watercolor paper in that way. Although it takes opaque passages with no problem as well, which makes it quite versatile. It's very much like working with Gouache on Illustration Board, but better in that it offers the permanence and luster of working in Oil.

Wednesday, March 4, 2015

Skeleton Study in Green Monochrome


Skeleton Study in Green Monochrome
9" X 12"
Oil on Paper
2014

This is a 2 hour study of a full size skeleton that I purchased back in the 90s. I've returned to paint and draw from it on countless occasions. The human skeleton, along with other animals in nature, is a work of tremendous complexity and presents a unique challenge when used as subject material due to the innumerous small forms of detail throughout.

In using it as a subject over the years it really sinks in after awhile just how complicated the spine is in particular. It's like this giant tree trunk of electrical wiring running right down the body carrying out much of what the brain commands and each vertebrae is riddled with processes, ridges, and nodules. It's a bit counterintuitive given how simple the back appears from a surface anatomy perspective. In fact the back, especially the lower back on the male figure, is one of the most continuously homogenous shapes on the human form in general. It's really quite deceptive.