Untitled #64

Untitled #64

24" X 36"

Charcoal on Paper

2012

This 1.5 hour pose was a great set-up and is a good example of my working approach. I've squared off all of the forms on the figure to a somewhat extreme degree. The lighting was a bit tricky as it was behind the model so she was mostly in reflected light for my view. 

Although I believe it's important to accurately observe what is going on with the model, sometimes this can lead to a record in physical discomfort. Especially as you gain more empathy with models through experience. Granted it's difficult to judge, but I don't think most individuals would understand the kind of pain the model is feeling in the leg she is sitting on just by looking at the pose. 

The most common experience with the creation of visual imagery for people in the modern era is via photography. Snap it and you're done. This can really lead to a corrupt understanding of just what goes into making a work of art. Not only on the part of the artist, but all parties involved in the creation. 

Perhaps that is one of the greatest gifts of painful experiences, whether they be physical or otherwise - they provide a way of empathizing with others in a more meaningful way. When things are too easy or simple, you lose this reference frame, which robs you of deeper connections to the people and the world around you. No pain, no gain. Even for artists and models.