Showing posts with label nude. Show all posts
Showing posts with label nude. Show all posts

Saturday, January 2, 2021

January Red Paper Pastel

 

Keeping warm by the fire in color. A recent pastel on red paper—working within the figure style from previous work done last summer. 

Tuesday, July 14, 2020

Pastel returns...again




⁣⁣These are some recent experiments with color and pastel. There is something incredibly arresting and radiant about pastel—it's brilliance. And in a season that seems so incredibly dark at times; a little color and brilliance feels like an unarticulated necessity.⁣⁣


Wednesday, February 26, 2020

Daily Figure 2-26-2020


There is something so striking about an untouched solo mark. Pure. Unfussed. To the point. Efficient. Using a massive chunk of charcoal here on those large peripheral strokes.   

Monday, January 27, 2020

Daily Figure 1-27-2020


Using a multitude of various charcoals and tools here. Of particular usefulness as of late: Prismacolor Art Stix for upper-tier halftones and incredibly light values. It doesn't play with other media so well due to the strong wax content and a heavy application really puts this into high relief; but strategically used—it's perfect for gentle, light, and subtle gradations of value. Especially on really light or bright white surfaces where subtle slight value shifts can be difficult to keep tamed.   

Wednesday, July 22, 2015

Friday, April 17, 2015

Untitled #238


Untitled #238
24" X 36"
Charcoal on Paper
2014

I completed this drawing from life at the Joshua Retreat Center in about 40 min. last year. It was nice to have the extra time to fill in some detail related to the model's surroundings. Although details of the setting can sometimes diminish the timeless quality that nude figure drawing can evoke. 

The inclusion of setting details tends to put a definitive time and place stamp on a work which I don't always find necessary or desired, but of course these can be fun sometimes. Granted, it's difficult to completely escape the clues of time and place in a work, but I think that implied timelessness is one of the most endearing aspects to working in this tradition. There are no changing fashions of clothing or styles of architecture present. Just the human body, as it has been, for hundreds of thousands of years (give or a take few tattoos on the model).  ; )


Wednesday, December 17, 2014

First Post: Untitled #74 (Sold)


Untitled #74 (Sold)
24" X 36"
Pastel on Matboard
2012

This piece is a good representation of my working approach to start with. The Matboard is a fairly unforgiving surface to work on so I would practice each stroke several times just above the board before committing. This helped lend confidence to the choices made.

As you might be able to tell, I have a pretty deep affinity for a well placed bold and confident stroke in any medium. "Concision in description" is a desired goal as well. To explain the most with the least.